Telugu has recently seen an increase in message-focused films. New producers and filmmakers believe they can thrive at the box office if they can captivate the audience with an original plot. Love-themed movies have been made before, and more are being produced. Love has no end. According to the movie’s production crew, Lots of Love introduces a fresh perspective on love. And does this film have material that engages viewers in that way? or not Take a look at Lots of Love.
In general, there are five stories. What tales are contained therein?
when the corona is at its most active. Doctor Manohar (Vishwanand Patar) is unable to stand to witness people suffering from a lack of beds, oxygen tanks, and medications and would stop at nothing to help them. However, he doesn’t have enough money to fulfil his desires. Manohar, who helps people by providing medical care for a small price, accumulates debt. How was his mission resolved? How did his romance with Sarita (Adya), a teacher, come about? How did that love end up being married?
Rakesh (Nihant), who rides a bus to college. Adults, however, do not accept their love. What’s the rationale behind that?
the orphan Raju (Rajesh) puts in a lot of effort and is hired by a well-known company. Rajini (Bhavana), who is the reason for his success, is the person he loves and wishes to wed. However, because Raju is an orphan, Rajini’s family does not support the marriage. How did their wedding go? How did Asalatu end up alone?
What is the connection between Samyukta (Madhavi), an NGO that aids those in need, and Swamiji (Kiran), who teaches philosophy about the present world and God?
Yadagiri (Tenali Panthulu), a tyrannical landlord who doesn’t even beg for a cat, is associated with money, rowdiness, and his sons’ anarchy.
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This movie is a compilation of many stories. It is incredibly admirable that Vishwanand Patar, the hero of the movie, is managing all the duties of the script, dialogue, producer, and direction for this picture. Everyone likes the casting arrangements and the manner he blended the aforementioned stories. By connecting the aforementioned tales to the Zamindar family and how the Zamindar evolved in the end, the director also aimed to convey a positive message. In actuality, it is what is taking place in the modern world. the idea that a person will ultimately lose everything if they do not aid their fellow human beings or insult God without thinking it through. No matter how many factors there are, he told Swamiji, the most crucial thing is to finally arrive at the desired location. We should always be aware of our life’s purpose, follow our personal dharma in addition to our professional dharma, and be kind to young children while being understanding of their opinions. Children will respect you only then. Thought-provoking dialogue includes lines like “They should be treasured, not governed.” Manohar, a physician, added that if education and medicine are headed in the right route, the nation will advance. “Teacher and doctor should be guided for that,” he stated, adding “Self love, family love, romantic love, friendship love, heavenly love, professional love” were among the things he suggested doing to improve society. Particularly in this film, it is also shown how the medical mafia operates on the outside. Additionally, Zamindar Yadagiri’s transformation appears to be a lesson. However, a few sequences here and there that defy logic, the structure of the first half of the plot, and the fact that all the performers are new may leave the audience somewhat perplexed. It is important to screen emotional sequences in an engaging manner.
Performance of the actors: Director Vishwanand Patar has taken on a variety of roles for the film in addition to his lead role. Viswanand makes an impression in Manohar’s variety of roles as a lover, a son who wants to grant his mother’s request, and a doctor who wants to help Corona patients. In their separate parts, Sarita as his fiancée, Nihant as college students, Divya, Rajesh as an orphan, and Bhavana as his supporter fared well. They were joined by Madhavi, an NGO, and Kiran, who was dressed as Swamiji, who was sober. Praveen, Srinu, and Raghavendra, who played the Zamindar’s sons, as well as Tenali Panthulu, who played the villainous Zamindar, all performed admirably in their respective roles. They will probably provide entertainment as villains for a while if they land decent parts. Also fine are those who performed in different roles. Technically speaking, the film’s music, editing, and camera work are appropriate. Conversations are thought-provoking. Each song is excellent. Apart from acting, director Vishwanand Patar demonstrated his versatility by using a large ensemble, blending four or five stories, and adding a message.
Conclusion: Overall, this film sends a positive message to its audience.
Rating: 3/5
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